Course Syllabus

History of Photography in Europe: Technology, Culture, Art

Course Description

This course investigates the impact of photography on culture, art, and society from the first photographic images recorded in Europe around 1840 and up until today. We explore the role of photography beyond mainstream cultural accounts, integrating a diversity of disciplines from history to journalism, law, medicine, and science. Through hands-on exercises, field studies and meetings with professionals, we zoom in on the interplay of seeing and learning, investigating photography’s role in shaping societies, memories, and identities.

Learning Objectives

LO1: General overview. Grasping the historical development and societal effect of technologies, practices and concepts comprising the photographic apparatus.

LO2: In-depth knowledge. Understanding the interplay between the photographic apparatus, memory and identity formation.

LO3: Methodological practice. Analysing the rhetoric of the photographic image in relation to its historical development and societal effect and presenting the analysis in written and oral formats.

LO4: Experiential process. Exploring Stockholm from the perspective of the course, engaging in course activities that support a personal learning process within and outside the DIS classroom.

Faculty

Vendela Grundell Gachoud is a teacher, researcher and art professional working in international interdisciplinary settings since 1998. Focus on the history and theory of photography, especially in relation to seeing and being in digital society. PhD in Art History 2016, MA in Aesthetical Disciplines 2011, and BA in Cultural Studies 2007, all at Stockholm University. With DIS since 2016. 

Readings

Excerpts from the following books:

Behdad, Ali, and Luke Gartlan, eds., (2013) Photography's Orientalism: New essays on Colonial Representation. Getty Publications. [224 p.]

Karlsson Rixon, Annica (2016) Queer community through photographic acts: three entrances to an artistic research project approaching LGBTQIA Russia. Stockholm: Art and Theory. [207 p.].

Ruchel-Stockmans, Katarzyna (2015) Images Performing History: Photography and Representations of the Past in European Art after 1989. Leuven: Leuven University Press. [304 p.]. 

Wells, Liz, ed., (2021) Photography: A Critical Introduction. London and New York: Routledge. [464 p.]

Changes and additions may occur.

Field Studies

Visits to two leading cultural institutions in Stockholm focusing on photography, Moderna Museet and Kulturhuset, as well as city exploration in the onsite seminar Photography in action.

Grading

Academic Regulations  

Please make sure to read the Academic Regulations on the DIS website. There you will find regulations on: 

• Course Enrollment and Grading  
• Academic Expectations and Honor Code 

DIS - Study Abroad in Scandinavia - www.DISabroad.org